new release from the mysterious ex-pylon on studio barnhus. shakes is a twisted, noisy 12 minute techno epic with razor sharp drums, acidic basslines and a daredevil breakdown, while helmet comes correct with swirling pads from outer space and a deadly groove from deep within the core.

macadam mambo 5th release is ready to rock! after the success of our first four issues, we are proud to introduce our new selection of edits. featuring disco adjustements by : raphael top secret with >love & compute<, a robotic dancefloor killer boogie, very cosmic. roger suchard with >tout en emotion<, super >electromotive< new wave british style synth-pop. bob bernard with >jewish party<, a psychadelic & kitch monster hebraic groove. albion with a hudge obscure indian electrofunk >welcome welcome<, pure bollywood - meets - the beat style!guillaume des bois made the last one, >conan le berbère<, magnificent ambient and balearic tune digged out of library

vertigo is the a side on this four track ep by roberto capuano that uses reverberated kick drums and piano chords to create a groove that was designed for peak-time play. the second track, inversion uses rising and filtering synths with the use of space and influxes of pitched hi hats and percussion loops to create a 5am track that will keep people rooted to their spot. new chapter uses a repetitive percussion-like stab to keep the deep atmospheric sounds together over the industrial techno drums. the final track earth uses phased sporadic stabs to create an interesting groove that compliments the driving drums that are ever present

after storming the charts in 2012 with mysterious 7 inch championed by todd terje & many others, zambon & kapsa - the guys from the very polish cut outs are back with more goods! following the successful debut, they bring us a delicious 12 inch release with 4 amazing edits based on obscure polish records from the 80s. a side is curated by ptaki, a mysterious duo hailing from warsaw. ptaki (which means birds in polish) fly high and want to keep their true identity under the radar. nevertheless, they serve two amazing cuts here, both based on obscure polish jazzfunk. krystyna is the choice cut, with its infectious vocal hook and irresistible groove. marek is a piece of wonderful balearic slow house with rich rhythm and crazy synth action in the middle. b side comes from maciek sienkiewicz, one of the finest purveyors of balearic grooves in poland. two tracks served here wouldnt sound out of place in alfredos set. song for mohindar is the lead track, with its ethereal new-age atmospherics and exotic instrumentation. syntetyczna kobieta lux is an electronic burner that you may (or may not) know from last years tvpc beats in space show.

canadas hardest working super-group, the souljazz orchestra, return at full throttle this september with solidarity, a new collaborative album featuring a range of unique artists from their countrys vibrant underground groove scene

cork label basic grooves keep the focus on irish talent for their fifth release as label boss shane linehan welcomes his namesake bambrick into the fold for some well judged, atmospheric deepness. the process finds the waterford based producer veering through dark, heads down terrain though the dubby elements are complemented by a woozy melodic melancholy thanks to the gentle chords that spread out. linehan maintains the basic groove momentum on the flip with a remix that is more stripped back, lending those chords some glowing incandescence, whilst the percussion swells with sweet intensity as it progresses.

kool vibes groovin ep oozes classic french house vibes form the get-go thanks to the opener no more wastin. stocato rhode stabs are met with quick-jangled percussion, cut vocals (like the french only know how) and thumping beats. underground settles down a little, maintaining a sultry groove with a chord driven hustle, while groovin is upbeat french house at its best. feel it features more juicy and looped up sample action with call and response vocals thrown in for added effect. a must have for the french house connoisseur.

subwax excursions is the new sister label of subwax bcn !!! pablo - for fans of aril brikhas >groove la chord<

after the killer release by marco shuttle vidd is back after a long silence with their 2nd release. a special release from somebody who has done a lot in a very short time: gw from stockholm. surrounded by mystery and simplicity, hurry up demonstrates both power and heft with few elements. the driving force builds a tension which really doesnt reach a peak, something that the locked groove vocal manages to balance perfectly. the energy is constant and keeps things interesting. the b-side starts off with runaway, a chicago-resembling funk track that reflects the 90s tradition and the new digital age. tonight closes the doors of this release and the closing lights come on, it is time to go home.

the newest offering from luke hess deeplabs imprint: warehouse sessions volume 1. limited to 500 grey marbled copies worldwide, all four producers on duty here keep the vibe deep and unique, jacking at times while laid back and cosmic at others. four tracks with a groove firmly rooted in early to mid-nineties detroit warehouse techno, the results mix analog instruments and machines with a dose of atmospheric dub!

israel has proved a hotbed for electronic music of late, with talent such as guy gerber, shlomi aber, guy j, and more all making quite an impression on the global scene. an israeli producing for lithunian label might seem like an unlikely combination then, but omer grinker s esteemed debut for parallel is a release that as its tittle suggest under water .the young tel aviv native boasts all the hallmarks of his fellow countrymen then, with the tittle track a brillantly clever anthem that flirts openly with various genres while maintaining a shrewd deep house edge. fans of trippy, multi layered house music are sure to embrace this one.sonic intricacies hold the key to seen or not seen , another record that s been scrupulously produced with even more off-kilter motifs playing their part. pitched back andever so detailed, it chops and changes with the sort of deviousness typically associated with warp s back catalogue.the last of the three originals, under water, emphasises the producer s credentials with more lackadaisical piano inter-changes an underbelly of simmmmmmmmering percussion and portentous chimes all playing key roles.label owners monkey brothers then beef up the latter with a remix that s basking in steday groove and even more suggestive vibes.a thriling and seductive package that indicative of the protagonist s musical nous, makes sense is a record that serves up a fascinating journey throghout. omer grinker is a producer you shoud keep in your radar.

roger gerressen switches to the main fof label for his next release, liberal taking up the entirety of the a side with a killa groove resplendent with knife edged percussion and tripped out synth stabs. flipsides mint goes subaquatic with a serious slice of heads down bizinizz - a male spoken vocal refrain repeats throughout to give a hypnotic edge. lastly, roger teams up with his buddy smokin g on drunk game, super rounded, housed up beats and an undulating synth / string line permeate the groove lending the ep a sense of levity.

after the glorious debut we go straight ahead ep for luv shack last summer, a welcome return for lesale with his lesexe / symphony release. thumping drums and throbbing bass await prerequisite footwear in lesexe. and you better have a pair of some serious leather that can withstand a night heavy shuffling as lesale gets his boogie boots and swagger on. original gets tight and mighty with a groove that just demand you stomp up a floor or two in search of the booty. aroused and alluring vocals dampen all the right places and also set up for a long night of passion. the guy knows how to sex you up for sure!

the 4th and final sampler taken from swedish silver vol 2. patrick siech then steps up with the next track, kill room that also uses atmospheric percussion and stabs to build into a funky drum groove. the final track by cari lekebusch called xylopeggiator, conveys a dark, pounding 5 am rhythm that uses vocal samples and a melodic synth to create a hypnotic drum pattern

ark with more raw house !!! weve been waiting a release on versatile from our long time friend ark. it now done with this * street house ep*, an ode to b-boy house. emba anthem, with its samples from a cult west coast 90s hip hop band, and the bewitching nuark, which mixes deepness, sensuality and odd funky groove, but inna ark unique fashion. big shout outs paris kids!

house is at home with bobby browser, who may be “still browsing” after 2012’s “just browsing” ep, but these four tracks feel like he’s finally splurged on the pleasure-purchase. never afraid to fuse sad soul ii soulisms with flute-floozy milan model-walk wonders, or blue lipstick, platform dance with classic groove-back ogle-voguing, bobby browser remains a san fran late-night-on-haight-night latin legend. browser’s known for djing gel-gems like “bad bad boys” and other, mostly forgotten, romantic thrift store singles and as producer he’s got the same no-boundaries deep-‘preciation for all that can be stirred in his stoopid stew. howard jones meets earth, wind, and fire meets n’dea davenport meets sade meets frankie knuckles but not at all straightforward, and nothing short of silky slip-peeling. always lovely and light, sleek and chic, bobby browser’s bought a spot on your yacht. it’s going to be a smooth cruise.

wbeezas first release since 2012s peckham fly/billy green is ded single. if you believe is a simple stone cold knockout hook over deliciously arranged elements. wacky racers is a peak time banger - maybe his hardest track so far. wise root is a slow burner, only revealing its full force after nearly 5 minutes of keeping the dance floor locked in. mo bella is a rolling, swinging live jam of irrepressible groove. four unmistakable wbeeza joints.

remastered reissue featuring three fantastic hard-to-find classic rump shakers from hamilton bohannon. bohannon was one of the key forces in disco in the seventies and this is him at his best - his instantly recognisable sound is pure uncut boogie mixing riffing guitars, bad-ass funky bass and pounding drum tracks. first up is the super-rare long 12 inch version of me & the gang a superbly funky track popular with everyone from tony humphries to carl craig with its great chunky beats & a killer piano groove later sampled by paul johnson for his hit get get down, followed by the groove i feel - a monstrously good floor-filling gem unearthed from his 76 album dance your ass off. on the flip you get the awesome full 12:45 minute version of maybe you can dance another slamming disco-funk stomper only ever available as an elusive 1977 12 inch promo. quality stuff!

nearly 10 years on from it’s last release, phantom audio relaunches on march 11th 2013¬†and what better way to start than to go back to the very beginning! ¬†originally released on dec 6th 1999, phantom force went on to become one of the legendary dnb anthems, still being heard in sets today. fracture tears it apart and takes it right into 2013 with a mammoth half-stepping groove, led by those familiar pounding stabs, nervous strings and teasing break edits. digital & spirit go to work on backlash themselves, harking back to an era where the beats where dirty and the mood was heavy for a trademark slice of sub-heavy organised breakbeat chaos.

nearly 10 years on from it’s last release, phantom audio relaunches on march 11th 2013¬†and what better way to start than to go back to the very beginning! ¬†originally released on dec 6th 1999, phantom force went on to become one of the legendary dnb anthems, still being heard in sets today. fracture tears it apart and takes it right into 2013 with a mammoth half-stepping groove, led by those familiar pounding stabs, nervous strings and teasing break edits. digital & spirit go to work on backlash themselves, harking back to an era where the beats where dirty and the mood was heavy for a trademark slice of sub-heavy organised breakbeat chaos

wonder wet records is proud to announce the return of the production of one of the most eclectic and respected italian djs, claudio fabrianesi. esteemed in his hometown rome, where he plays every saturday for alchemy at the vicious club? two stylistically opposite songs, but with one thing in common: the quality. cosmic kabul, on side a, is a pearl for any cosmic genre lover, the track contains multiple musical influences and people will talk about it for a long time. warm reaction, on the b side, is a deep journey into a more mental techno, but with also groove. a record that will make the difference, an absolute must!

the first in midnight shifts vinyl-only remix series sees festival headliners deetron and secret cinema provide their dancefloor interpretation to the labels debut release. basic soul units cool a2 black ice, is re-edited by none other than deetron, the swiss native with a prolific and starry discography to his name. he turns black ice on its head, leading with its running bassline first while letting its crystal notes be polished to a bright, blinding shine.
already much supported by the likes of shackleton, josh wink, bleak and dixon, eddie niguels absolute, has been circling the circuit to great effect. here, netherlands secret cinema aka jeroen verheij pumps the mental factor up sideways with an infectious, relentless groove that holds back just enough to keep you wanting more. coming soon to a dancefloor near you: rmx001.
already supported by agoria, dubfire, ame, claude young, vince watson, chymera, andy baumecker, tensnake ...

four years since his last ep release and josh wink is back with balls on ovum.

from romania comes the new ep of wrong state recordings, underground sounds, awesome bassline, great groove tech house and fantastic msupports. feedback & support: paco osuna- iguazu (original mix)

support by Âme, tsugi, groove, ben sims, raresh, john osborn, par grindvik
skoog has put out countless records since the late 90s on labels such as drumcode, synewave and planet rhythm. agaric is another name he has recorded as over the most recent years, when releasing his music on labels such as josh winks ovum, or making club tracks series here on the we are label.

two thirds of the hypercolour label team, alex jones and ste roberts, present the first initials 12 inch of 2013 in the form of shard in the hole by blue & green. otherwise known as bareskin & j.wiltshire, blue & green have already developed respectable reputation for themselves. bareskin, aka 19 year old josh thompson from winchester, has set his stall out with non-standard house workouts for losing suki and hypercolour while j.wiltshire has an imminent ep for the prolific imprint.as with previous initials releases,shard in the hole has a techno leaning stance, albeit one with a far from purist outlook. the title track is a broken 4:4 track that builds towards a solitary pulsing bass note and skittering high end percussion and arpeggios. bring me down on the flip is a housier groove complete with an unnerving bassline and clipped vocal samples complimented with distorted washes and theremin-esque tones.

strictly limited vinyl !!

it is a double vinyl set of empty locked grooves that contains nothing but its very own surface noise - and physical structure. it is a sculptural revision of stefan goldmanns earlier locked groove-based double vinyl the grand hemiola, but it also serves as a genuine hauntological vinyl surface noise tool kit, out on its own. pulling a knife or other tool to its grooves allows for cutting your literally uniquely own beats directly into the record.

the brainchild of russian dj/producer kirill sergeev (tusk wax, whiskey disco, seven) this 2 track 10 inch (glenviews first!) features: cant you see me, a seriously funky mid-tempo groove based around a vocal refrain, and tender melody a percussive, jazzy breaks killer. limited white 10 inch vinyl.

chicagos dj rahaan comes correct on this latest release from dublin disco heads fatty fatty phonographics. dirtyboyz takes an old bobby o production and sticks a rocket up its arse, blending in rough chi-town beats and some vocals from another music box/warehouse classic for some proper peak-time dancefloor devastation. getting up and dance is the kind of string drenched disco-boogie that he laces throughout his epic club sets, with some fiery ron hardy style edits to drive em wild. clap your hands, stomp your feet, meanwhile, rounds it off beautifully, a summery dancefloor swinger with a hellishly catchy chorus and a bouncy groove that just wont quit.

from noel jacksons hypertone label. this 12 inch from london young gun producer starts with a pounding bassline, eerie vocals and shuffling hats. the anthea 4 luv remix follows with a solid groove. on the flip, sats delivers a unique dark mutating synth & a killer bassline that also receives a remix from randall m.
limited to 250 copies and no repress

the atmospheric deep house builder brothers & sisters comes in two different versions and is everything we could wish for, deep, punchy and masterfully produced house music, sounding right at home on local talk. the pm atlantic version will do the work for the early sets and am pacific is the perfect end of the nighter. finishing off is legacy, a track where groove and dedication is the keywords, a guaranteed weapon in any djs bag in the coming months. all in all, three tracks of the kind of nuanced deep house weve come to expect from the brilliant fred everything

after the success of the first three volumes, musica sol y mar are back with a fourth installment of balearic sound for 2013. the album contains tracks such as in alto mare from sultry italian singer loredana berte who delivers a killer piano-led groove that has been a summer favourite in the mediterranean since its release in the early 1980s, the dope slo-mo cosmic groove of my baby my by us soul singer sue ann cardwell which was a big hit on the white island as well as being popular with the afro and cosmic djs in italy.

high volume is the long awaited artist album from marco, and showcases the diverse techno abilities that hes famed for - featuring 12 essential cuts hot out of the studio, this long awaiting 100 release for his own mb elektronics label is destined for great things. here we have a 4 track sampler showcasing the cd.

reverence paying homage to the beloved underground, a prime collective of neo-electronic architects spawn a quintessential four track vanguard. the greatest by drivetrain (detroit, usa) begins gritty and minimal, blossoming into a spectral orchestration of refined vocal samples fused with melodic pads and acid bleeps. the heavy bass line and pounding rhythm keep it moving mercilessly. cloudmaster weed (meaux, fra) utilizes the vocal stylings of goddess stephanie on the raw and sultry >sweet & delicious<. the seductive groove lays the perfect groundwork for a goddess to dream on some of her favorite pleasures. rennie foster (vancouver, can) makes a strong return to soiree with the prolific, deep-tech, > low boxing<. a clever amalgamation of silky vocal samples dropping amidst heavy syncopated acid. lush pads provide the final polishing. j.garcias (detroit, usa) >lost< serves a commanding conclusion. the throbbing rhythm drives alluring female vocal samples thru an infectious late night sizzler. reverence – an absolute and authoritative tribute

raw joints vol 2 with more phunked up chicago house madness !!!

get down edits return with volume 4 in the series this time we have fingerman and deadly sins alongside label head honchos gde.

hot on the heels of ornate musics last release featuring the bumping house business of digs, the imprint set their sights on welsh producer leif, who has been turning heads with his masterful deep house for labels like fear of flying and fina since 2003. kicking off with *circumstance 4*, whose smooth organ refrain drifts over a lightly rolling groove, the vibe switches up with *every cloud*, whose gentle jazz-inspired piano and abstract, dubbed out soundscape is strongly reminiscent of floating points more freeform productions. however, it is *each day made new* that provides the eps most surprising moment, an andres style hip-hop track with a cut-up, sunshine drenched quality calling recloose to mind.

another round of wonderful eclectic delights from balearica. side a features the in demand *tonys song* by tony g. originally released back in 88, this floorfilling electro-tinged house classic features an incredibly catchy piano riff, phat bassline and some spoken vocals taken from al pacinos *scarface*. a massive hit both at amnesia in ibiza as well as at manchesters hacienda and at the early acid house parties, this track still sounds super fresh. next up is the dope vocoder-laden groove of escape from new yorks *slow beat* - a brilliant balearic chugger that features high on many most-wanted lists. on the flipside, we get the much desired slo-mo disco of steve benders *the final thing* - a moog-heavy groover that hit big at both the balearic parties and on italys cosmic scene. then finally, to round off this great compilation is the extended instrumental version of bowie & methanys *this is not america* - a favourite of everyone from alfredo to theo parrish. quality stuff!

slamming four track ep with strong tech house tracks, tipp

handstamped 10inch action!

this time with frank costello remixes ep.remixes special pack from pablo bolivar (desolat / avant roots) and javier orduna (pong musiq / sincopat / amam / siteholder).they are all different ways of seeing and feeling the electronic music and the original ones, a full of groove special pack, from deep to neo-detroit techno. we hope u like them and enjoy it.

this new italian artist (already released on nacthstrom schallplatten, drehmoment, etc.)shows two interesting tracks with a modern concept of techno.the first track is a sort of hypnotic techno with a lot of groove inside, never boring.the second track is a beautiful trip with experimental and industrial sounds, he doesnt want forget his roots.

groove-madness part ii!glenn astro is the groove wizard. his new four track-ep tearz is the travelogue of an expedition through the misty jungles of chicago house, uk underground and future sounds of paris.

the black madonna returns to home taping with another classic release in the making! we still believe captures that early sound of chicago when you could still hear the euro and italo influences as they were re-interpreted through the beat boxes & synthesisers of the windy city, and made to jack. on the flip, home taping favourite the revenge delivers his own take on that classic sound with an understated and yet pumping rework. packed full of authentic beatbox sounds and warehouse style keys, it works it to the boom boom. last but not least, the black madonna finishes off the package with say my name - a dirty, menacing and incessant groove that makes out like a wild new street dance that just got turned loose. the black madonna is here to stay!

groovy bass lines, sassy drums and a classic and clubby wave conduction. there is a little something in every track to help you find the mood when you miss the groove

chaos is a tough, ny-house jam with 909 trim. first 3 minutes for the mix, then ending up just north of hypnotic bell house. strictly for the floor. memphis is a broken shell of a sampled break, worked and loaded under matt maaskants emotive freestyling on a concertmate mg-1. trace is the wandering groove of an excited arpeggiator, after the drum machine has left the building.

balance, the prescription sub-label, released its first 12&#8243,, in 1995 with this project where glenn underground first introduces his cvo alias. now this stunning sju reissue brings both mixes of “party time” to the a-side and the flip brings the deep house classics “mighty real groove” & “bonus .

2013 repress, limited white label repressing
born in chicago and raised on detroits west side, delano smith represents one of the last of a rare group of detroits first house dj s & protege of detroit-original deejay ken collier, this is the eighties legend back in fine style. recording for labels like third ear & his own mixmode imprint smith has carved a deep house groove for many years, here he teams up with long time friend derwin hall for the smith hall project and picked up for the excellent kolour recordings offshoot undertones hailing from houston texas but based in detroit this is the second release from ut and doesn t fail to deliver with some serious pedigree. one not to miss!!